August 25, 2008 - 10:16pm
News

Newsday cartoonist battles the bright lights of the convention

Battling the bright lights: Newsday cartoonist Walt Handelsman attempts to use a light box to complete one of his cartoons. (Photo by Mark La Monica)Battling the bright lights: Newsday cartoonist Walt Handelsman attempts to use a light box to complete one of his cartoons. (Photo by Mark La Monica)One of the pitfalls of drawing on location for a cartoonist is getting comfortable outside of their normal studio.

Walt Handelsman, editorial cartoonist for Newsday, learned this first hand as he set up to draw at the year's Democratic National Convention in Denver.

A rought sketch by Walt Handesman of a group of local policemen all hanging off a little white golf cart.A rought sketch by Walt Handesman of a group of local policemen all hanging off a little white golf cart.Handlesman uses a device called a lightbox, which allows an artist to trace a rough sketch onto a clean piece of drawing paper to be inked and finished. Using the lightbox is extremely difficult in bright areas, something Handelsman realized as he began to draw.

"When I work in my Newsday office, I turn off the lights," Handelsman said on his blog, "but once I saw our unbelievably bright, plastic-roofed work tent, I knew I was in trouble. "

Handelsman tried several different strategies, including pulling a plastic skirts over his head and lying on the floor underneath the table. He wasn't successful until he decided to "think inside the box" and draw underneath a cut-up cardboard box.

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More coverage of the 2008 Democratic National Convention from cartoonists' point-of-view:

Rob Tornoe can be reached via email at rob.tornoe@politicker.com.

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